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ARLINGTON, TX - APRIL 26: A video board displays an image of Lamar Jackson of Louisville after he was picked #32 overall by the Baltimore Ravens during the first round of the 2018 NFL Draft at ATT Stadium on April 26, 2018 in Arlington, Texas. (Photo by Tim Warner/Getty Images)

Throwback Thursday: Baltimore Ravens beat 49ers on Thanksgiving by Chris Schisler
Terrell Suggs: How far can he climb up the all-time sacks list? by Chris Schisler
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When Madden 19 hits the shelves on August 10, Baltimore Ravens fans will get the chance to play with the most talked about player of the offseason, and that’s rookie quarterback Lamar Jackson .

In college, Jackson tore up defenses as a dual-threat quarterback. The 2016 Heisman Trophy winner scored 113 touchdowns in college with Louisville – 63 through the air and 50 on the ground. It’s unclear if that production will translate at the NFL level, but Jackson’s electrifying play-making ability could serve him well in the pros.

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. Jackson clocks in with 91 overall speed, the only quarterback in the game to eclipse a speed over 90. Jackson also received a 93 ball carrier vision, 86 spin, and an 89 juke. With a 94 overall throw power, Jackson can stretch the field, but his throw accuracy (83 short, 80 intermediate, 74 deep) isn’t too impressive.

HL 58 (Italy, thirteenth century)

The fourth leaf should be a small two-column Bible leaf from Nike J Guard BLACK/WHITE S White mxJ7NoYX0r
. According to the label on the matte, that manuscript is a “Dominican Manuscript written in Paris” in the unrealistically-precise year 1240 AD. In the present set, this was replaced with a leaf from , another small-format thirteenth-century Bible which Ege dated to the equally absurdly-precise year 1250 AD.* The date on the label has been edited accordingly:

After Otto’s death in 1951, Louise took over the leaf-marketing business. She had a gift for marketing and sales, reaching out to institutions and collectors throughout the country promoting the business. As correspondence preserved with this private collection demonstrates, after Otto’s death she kept up the relationships cultivated during Otto’s lifetime and gave the same time and attention to small private collections as to large cultural institutions:

4 – 17 – 56

Dear Mrs. ***,

Would you at present be interested in having a selection of leaves for choice or perhaps for sale. I could send you a selection of hand written Bible leaves. If you wish them unmounted I can give you a very special price, perhaps I can also find some mounted ones which are reasonable.

Would you also be interested in some leaves from Books of Hours. I am not sure just what all your special interests are.

Would you care for some inexpensive assortment of unmounted leaves? I’ll be glad to try. Are you connected with the University [of Cincinnati]?

Sincerely,

Mrs. Otto F. Ege

* On pp. 119 and 137 of Otto Ege’s Manuscripts , Gwara notes that in a different portfolio, “Original Leaves from Famous Books: Eight Centuries,” leaves of HL 54 are sometimes replaced by leaves of HL 9. The present set appears to be the only recorded example of the same substitution taking place in “Original Leaves from Famous Bibles, Nine Centuries,” but many examples of this portfolio have yet to be carefully catalogued and identified using Gwara’s handlist numbers. Peter Kidd has written about the marketing of the Bible sets and others .

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February 25, 2018 · 12:39 pm

The Flight into Egypt, Walters Art Museum, MS W.188, f.112r

In the early 1990s, I was a graduate student at Yale working on a PhD in Medieval Studies. My dissertation focused on a fragmentology project, although that word would not be coined for decades. Seventeen leaves from a twelfth-century antiphonal from the Austrian Benedictine abbey of Lambach (on the Danube about halfway between Salzburg and Vienna) had made their way to Yale’s Beinecke Rare Book and Manuscript Library, and for my thesis I reconstructed the manuscript as much as possible – adding to the seventeen Yale leaves four leaves still in Lambach, two in the abbey of St-Paul-im-Lavanttal, another that was hanging on the wall of an alpine resort in Badgastein, two at Harvard , and one at the St. Louis Public Library (I’ve blogged about that one ) – and studied the cumulative liturgy, music, and decoration of the manuscript in the context of the twelfth-century Lambach scriptorium. The manuscript is known as the Gottschalk Antiphonary (or Antiphonal), after the scribe/artist Gottschalk of Lambach who was primarily responsible for its creation.

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